Hello-Hello, we hope you are enjoying a stellar start to a new week.
We begin today with last night’s Emmy Awards. As a rule televisions at the Prepatorium are not tuned to red carpet shows. They take wretched excess to new levels and never fail to disappoint. However, for some reason last night we
took leave of our senses watched portions of the Emmys red carpet show live on E!
Watching an extravaganza liker this in an internet age is an interesting experience. For example, in an effort to better understand who was wearing whom, we were able to turn to a live blog via NY Mag‘s Culture Vulture that featured the wit and wisdom of the Fug Girls. Below we share a few tidbits from the blog:
OH PADMA. The slit on her dress is so high that we nearly saw her ladybits when she stuck her leg out to show us her shoe. The bodice on her dress somehow makes her look topless and she sort of sounds as if she is stoned.
Here is what Masters of Snark Tom and Lorenzo thought:
Love the shape of it, but she’s a column of one color. She looks a bit like an Emmy herself.
Hmmmm. Back to the Fug Girls commentary:
Kelly (Osbourne) tells a story that she asked Marchesa for some gowns and they said no, that they were only dressing one person this year, and that person is apparently Lea Michele.
But then this:
Elisabeth Moss in….beige. Yes. Again. More beige. She is also in Marchesa, despite the fact that Kelly Osborne told us that they told her (follow that?) they were only dressing one person. Either Elisabeth Moss BOUGHT this dress, or they lied. Scandale!
Oops. Below we show the two ladies in the two Marchesa gowns. Seems someone might have some ‘splaining to do.
It turns out Ms. Osbourne was in J. Mendel, she looked splendid.
One of the most-discussed gowns was worn by über-prep Gwyneth Paltrow.
More on the dress from Tom and Lorenzo:
Tom will concede that it is off the beaten path, as far as red carpet looks go, and he’ll give Gwynnie credit for that. But belly-baring is so not the kind of risk-taking he wants to support and besides, he might actually like it if it didn’t have that tulle effect going on at the edges, which causes an optical illusion that makes her look like she’s bulging out of this thing. And even Lo has to admit that sitting down must have been a not-particularly-pretty picture. But we both agree that it’s not a typical goddess gown and it’s not the same boring red dress that every other girl was wearing last night, so points for that.
At the risk of sounding more-than-dense, it didn’t look that see-through… did we miss something? Our problem was that it simply wasn’t flattering. Not heinous, not a crime against fashion, just not stellar. Your thoughts?
Then there is this from HuffPo, definitely moving the needle on the Snarkometer:
“Boardwalk Empire” actress Paz de la Huerta hit the red carpet in a soft pink gown with a thigh-high slit at tonight’s Emmy Awards.
But rather than go for an all-out girlish look with a similarly feminine hairstyle, Paz opted for an edgier disheveled ‘do.
It may have been because she was in a rush, having overslept during her last-minute session at Hollywood Tans.
Ouch! Not all comments were snarky. Back to Tom and Lorenzo, now chatting about Melissa McCarthy.
She told Giuliana that she designed this dress herself in collaboration with a dress maker and it shows. We mean that in a good way, mostly. She made several smart decisions for a lady of size. She nipped in the waist, went for the V neck, and accentuated the shoulders. Our only issue is with the dolman sleeves, which add all kinds of volume that she didn’t need. Great color on her.
Other frocks of note included Ariel Watson’s, many felt it far too mature for a 13-year-old. We tend to agree, a child with braces doesn’t need a cutout bodice on an evening gown.
we move to the real reason we are even discussing the Emmys a star from one of our favorite shows, Mad Men.
Mr. Hamm was in Tom Ford while longtime girlfriend Jennifer Westfeldt wore vintage Helena Barbieri. Mad Men won Best Drama for the fourth year in a row, below we see Mr. Hamm, Ms. Moss and producer Matt Weiner.
Our other topic today, the simply fabulous runway show for Milly from last week.
Designer Michelle Smith cited Sonia Delauney as her inspiration for the collection, that influence was evident in the bold colors and graphic elements seen throughout the show.
The styles were simply spectacular. From Fashionista’s review:
To complement the bold patterns, Smith stuck to clean silhouettes including short sheaths, button down shirts, and cigarette pants. “It’s a much simpler cut this season,” the designer told us backstage. “You won’t see any bows and ruffles, it’s a little more clean and modern,” she added.
It was classic Milly, clean lines and bold patterns, timeless styles.
We would be pushed to find a style we wouldn’t love to add to the walk-in.
The looks conveyed a sense of timeless elegance, pieces maintained visual interest without being overly embellished, no frou-frou, and no ruffles. (Talbots, are you listening, hello?)
Some of the more intriguing items seen on the runway were the shoes, back to Fashionista:
Some of the adorable high-heeled boat shoes were done through a limited-edition Milly for Sperry Top-Sider collaboration, while the simple slingbacks were classic Manolo’s wrapped in Milly silks.
From the Women’s Wear Daily review:
But she also added a fun, preppy vibe that came through in pairings of button-down shirts with cardigans and loafers (a collaboration with Sperry Top-Sider).
We hope to learn more about the Milly-Sperry collaboration.
And a few of the celebrities on hand for the show included Singer Corrine Rae Bailey, Louise Roe, Peaches Geldorf and Tinsley Mortimer.
Ms. Smith was joined by her daughter on the runway when she came out for her bow after the show.
On that lovely image we say g’bye until next time!